BELATED PRE-RAPHAELITE ART; Images of Beautiful Women in the spirit of and heavily influenced by the Pre- Raphaelite Brotherhood:  An exhibition by Contemporary American Illustrator Howard David Johnson, whose illustrations have been exhibited in the British Museum and  published all over the world by distinguished learning institutions and publishers including the Universities of Oxford and Cambridge. With a background in traditional media including oils, pastels and colored pencils, Johnson embraces leading edge digital media in the creation of his depictions of fantasy, folklore, mythology, legend, religion, and heroic history. 21st Century Pre-Raphaelite Art Exhibition; Homage to the Masters...  Since the times of the ancient Greeks, Art History records a relentless quest for Realism and artistic excellence in realistic paintings and sculpture. The masters of each generation strove to perfect their craft, then passed on the torch of their accumulated knowledge and skill to the next generation of. The accomplishments and technological breakthroughs of one generation of realistic painters has often set new standards of excellence for the next.                                                     "Zenobia, Queen of Palmyra", "Daniel the Prophet in the Lion's Den" and "The Maiden in the Tower" "Zenobia, Queen of Palmyra" is my salute to the great Dante Gabriel Rossetti and Jane Morris, his most beloved model... I searched high and low for a model with wavy hair like hers and  "Young Rapunzel" or "The Maiden in the Tower" is a nod to the preponderance of detail in the Original preraphalites' works and "Daniel in the Lion's Den" is also in keeping with the Pre-Raphaelite Tradition to do historical and religious subjects..."                    Pre-Raphaelite n. An artist or writer belonging to or influenced by the Pre-Raphaelite Brotherhood, a society founded in 1848 by Dante Gabriel Rossetti and others to advance the style and spirit of Italian Painting before Raphael. adj. of , pertaining to, or having the characteristics of the Pre-Raphaelites. These English Romantic Artists reacted against the new industrial age with it's desecration of nature. The Pre- Raphaelites sought to return to a view of nature that had prevailed before the time of the Renaissance painter Raphael. They preferred to paint moral, religious, and historical subjects. Sentimentality, minute detail, and bright color characterize most of their works.      If you are not familiar with the original Pre-raphaelites or the subsequent generations of belated followers, you should probably go look at them first, before looking at a contemporary artist influenced by them.  For a non-profit virtual art gallery displaying paintings from art movements of the 19th and early 20th centuries (for example, Symbolist, Pre-Raphaelite and Art Nouveau) visit www.artmagick.com. This Gallery is for those of you who have seen all the originals and can't get enough and is lovingly dedicated to the original members of the Pre-Raphaelite Brotherhood.     "Return with your shield or ON it"   "The Angel Raphael" MMVIII   "Helen of Troy" MMV "Return with your shield or on it"  MMX (Not even a Spartan MOTHER could forgive cowardice) "The Archangel Raphael" is my tribute to the Pre-Raphaelite Art of Edward Burne-Jones and is also inspired by the great Gustaf Moreau, Symbolism:  I'm sure professional art history and spirituality experts will notice the ghost images of the Sephiroth tree in this image right away."Helen of Troy" is my loving tribute to my favorite Pre-Raphaelite, John William Waterhouse  and studies from his  "Miriamne at the Judgement seat of Herod" ~Howard David Johnson Enter a world of Beauty and Imagination...   his is my world. This is the world I love. It is a world without limits. My world is what I choose to make it. My world is yesterday, or today, or tomorrow. My world is a world of dreams & realities. It is a world of Caesars & Christs... of monuments rising from dim memories of the past.  It is an angry sailing ship tossed about on a sea of adversity. It is a world of knights & ladies, of gods & monsters, of faerie princesses, femme fatales, & mythic creatures.       It is a world of beauty & virtue & nobility. It is a world with no boundaries save the limits of my imagination & my conscience. This is my world. Conceived in my mind & placed upon canvas with brush & paint & study & sweat & tears & a great deal of love for my world. My world is the world of the illustrator.  I created this world for you, & for your children, & for your children's, children's, children...   "The Lady of the Lake" MMXII from The Arthurian Legends                           "Kissed by an Angel" (right) borrows from Lord Leighton and "The Angels of Forgiveness" MMX (left) is David's tribute to Arthur Hughes.  Symbolism runs rampant in these new pieces of contemporary Pre-Raphaelite Art. Because of the use of photography even Johnson's all-oil paintings can be termed mixed media. Johnson's Pre-Raphaelite Art Books and Pre-Raphaelite Art posters are for sale following the exhibit...                 and "Into the Lake of Fire" MMX.  Of course these works are in keeping with the Pre-Raphaelite tradition to do religious and historical themes. This one is influenced by heavily by  Delville, and borrows from Bougereau and Leighton. It is a Pre-Raphaelite style illustration from The Book of Revelation Ch. 20: "The Dragon that old serpent, that is the Devil, cast in the Lake of Fire"                    "Lilly Evans" MMXI Mixed Media including Oil on Canvas, 3D studio Max and Adobe Photoshop (Above) "Lilly" is the first illustration David has created that incorporates images created in 3D Studio Software. The possibilities that these computer programs combined with traditional media and techniques present to the art world staggers the imagination... More 3D studio combined with traditional media and Adobe Photoshop in "Merbabies" (above left) (below)  "Athene, goddess of wisdom and Justice" MMIX was created in traditional oils on 20 X 16 canvas.     Below: Atalanta and Artemis (2010) Mixed Media:                 "The Lady of Shalott" (2010 Mixed Media)  This painting by is inspired by the poem by Tennyson, the Pre-Raphaelite painting of the same name by John William Waterhouse and borrows from the Honorable John Collier.         Down to towered Camelot; And by the moon the reaper weary, Piling sheaves in uplands airy, Listening, whispers " 'Tis the fairy Lady of Shalott."                              'The Lady Kriemhilde', 'The Fairy Circle' and 'The Messenger (above) were all rendered in Prismacolor Colored Pencils... 'Prismacolor Paintings'  if you will - because this kind of picture is not at all what comes to mind when people hear the word 'drawing'. These relatively new soft oil based colored pencils are not the first Dry Painting Medium: the term 'Pastel Paintings' originated in the 17th century. Themes from Celtic and Greek Mythology are below...                         Did you know that many of the breathtaking works of Pre-Raphaelite Art done in oil on canvas and panel in the 1800’s were declared not to be Art? Not just not fine art but not art at all. In London the Royal Academy had a very narrow view as to what qualified. No wonder Rossetti led a rebellion against them. The Rough treatment of many Pre-Raphaelite greats like the Honorable John Collier for what they termed "indecency" was  unjust at best.                  With a background in traditional media including oils, pastels & colored pencils, Howard David Johnson embraces leading edge digital media in the creation of his depictions of fantasy, folklore, mythology, legend, religion, and heroic history. He works in and mixes a wide variety of media * Oil paintings * Acrylic Paintings * Prismacolor Paintings * Drawings * Chalk & Oil Pastel Paintings * Photography * Digital Artistry & Mixed Media *    "ALL HALLOWS EVE" Rendered first in Digital, then Colored Pencils, and finally in oil paints on Canvas      COMMISSIONS AND SOME PIECES OF ORIGINAL ART ARE AVAILABLE: Many pieces are currently available, mostly 11x14-13x16 inch Prismacolor Paintings (like Helen of Troy) and pencil portraits (like Arriba #2) followed in number by Acrylic, Prismacolor and pastel mixed media all on #400 Strathmore Bristol Board ranging from $700.00-$1400. 00 USD and Oil Paintings on canvas ranging from $1999.00 - 10,000.00 USD.  Pieces that have never been rendered in oil can be commissioned in 16x20 inch size on canvas for 50% down and delivered in under 90 days with signed certificates of authenticity aka legal documents pledging never to render it in that size and media again to ensure premium collectability and investment potential. David can also do a completely new picture designed in digital media (for more on this visit his digital media page) and when we approve the photo-montage, he uses it as reference to render it in oil on canvas. No surprises.  Existing Artwork is shipped very well protected and go out to you immediately via Fed Ex or USPS Express mail upon receipt of payment at our expense. All new creations cost a bit more depending on what is involved. All new creations and rendering photo montages into art on paper are a LOT of fun with e-mail attachments and digital cameras.     ORIGINAL DRAWINGS & OIL PAINTINGS ON CANVAS ARE AVAILABLE: Almost all of Johnson's Mixed Media creations (above left) displayed in this site are available to be rendered in oil on canvas like the 20x16 oil on canvas Faerie Guardians 2006 (above right). Each design will only be rendered in oil once at this size and can be delivered in as little as 90 days. Sadly, much of the subtlety, vibrance, lustre and impact of an original oil painting is lost when it is scanned and imported to digital media or even printed by a master printer. Nothing can compare to an original oil painting viewed in person in my opinion but the other painting media definitely look good in print and have their charms and distinct advantages as well. e-mail for more details at info@howarddavidjohnson.com                                    2005 version                                                                                                                             2014 version          For more art, more galleries, information about the artist & essays by the artist keep scrolling down...   "Although I love Rossetti and all the other Pre- Raphaelite artists dearly, none of the Pre- Raphaelite Brotherhood has influenced me more visibly than John William Waterhouse. Helen of Troy is my loving tribute to him, his vision, and his magnificent and deeply inspirational works. ( My life and artistic vision are patterned after and inspired by Dante Gabriel Rossetti, but the actual appearance of my works are more patterned after those of  J W Waterhouse.)    Who is American Illustrator Howard David Johnson? In one of David's invitations to the Florence Biennale Contemporary Art Exhibition, (a partner in the United Nations' Dialog among Nations), UN Secretary General Kofi Anon wrote him: "Artists have a special role to play in the global struggle for peace. At their best, artists speak not only to people; they speak for them. Art is a weapon against ignorance and hatred and an agent of public awareness... Art opens new doors for learning, understanding, and peace among nations."       Howard David Johnson is a contemporary realistic artist and photographer with a background in the natural sciences and history.  David works in a wide variety of mixed media ranging from oil on canvas to digital media. David's realistic illustrations have made appearances in every major bookstore and game shop chain in America as well as magazines and educational texts around the world.     Some of David's more prestigious clients have included the University of Texas, the Universities of Oxford and Cambridge in England, The Australian Mint, The National Geographic Society, Paramount Studios, Universal Studios, MGM Studios, Warner Brothers Home Video, ABC/Disney, CBS TV, PBS TV, The History Channel, Enslow Educational Publishers, Adobe Photoshop, Auto FX, Tree-Free Greeting, Verizon wireless, Apple IPOD, Penguin, Doubleday (Now Random House), Harlequin Top Historical Romances, and the History Book of the Month Club, as well as appearing in periodical publications like Popular Photography and the Wall Street Journal.      A Traditional style portrait of the artist. [Photo by his son Erich.]    After a lifetime of drawing and painting, David's Traditional Art was exhibited in the British Museum in London in 1996, ( 3 years before he got his first computer ) as well as numerous American ones since, such as the Metropolitan Museum of Art.        Working in a variety of media David offers his customers a variety of options and more than three decades of experience. As an illustrator he has not only used the computer but has been involved in the development and marketing of software for Adobe Photoshop. Digital art, Colored pencils, Pastels, Mixed media, & also Oil Paintings can also be commissioned for select projects.Digital illustration projects start at $500.U.S. and group rates are available. David delivers custom made copyright free illustrations & old fashioned customer service when he does work-for-hire. To publish existing pieces of his realistic art, David sells licenses starting at only $99.USD.   Business and Retail Services:                                               You can e-mail for more details at:  info@howarddavidjohnson.com Your business, letters and links are always welcome!     This Art Gallery has been honored by more than 35,000,000 Unique Visitors from the Four Corners of the Earth: My Friends from around the world thus far :      England,   Canada,   Scotland,   Wales,   Ireland,   Germany,   France,   Monaco,   Andorra,   Italy,   The Vatican City State,  Greece,  Macedonia,  Cyprus,  Turkey,  Belgium,  Denmark,  The Faroe Islands,  Greenland,  Yugoslavia, Macedonia,  Croatia,  The Czech Republic,  Bosnia,  Herzegovina,  Slovakia,  Slovenia,  Luxembourg,  Latvia,  Estonia, Hungary,  Bulgaria,  Lithuania,  Poland,  Austria,  Romania,  Spain,  The Russian Federation,   Ukraine,   Kazakhstan, Moldova,  Malta,  Iceland,  Finland,  Norway,  Netherlands,  Switzerland,  Liechtenstein,  Sweden,  Portugal,  Albania, Armenia, Georgia,  Azerbaijan,  Belarus,  Kazakhstan,  Gibraltar,  Israel,  Palestinian Territories,   Egypt,   Libya,  Mali, Algeria,  Niger,  Saudi Arabia,  Oman,  The United Arab Emirates,  Kuwait,  Bahrain,  Qatar,  Yemen,  Iraq,  Iran,  Jordan, Syria,   Lebanon,   Morocco,   Ethiopia,   Eritrea,   Liberia,   The Republic of Congo,   Rwanda,   Kenya,  Angola,  Ghana, The Ivory Coast,   Zambia,   Zimbabwe,   Sudan,  Nigeria,  Namibia,  Uganda,   Kenya,  Eritrea,  Tanzania,  Botswana, Malawi,  Senegal,  Djibouti,  Cameroon,  Chad,  Gambia,  Mozambique,  Swaziland,  Lesotho,  South Africa,  Viet Nam, Japan,  South Korea,  China,  Hong Kong,  Macau,  Mongolia,  Mauritius,  Singapore, Thailand, Cambodia,  Laos,    Myanmar,  Macau,  Malaysia,  Taiwan,  Nuie,  New Zealand,  Fiji,  Cook Islands,  New Caledonia,  Vanuatu,  American Samoa,  Australia,  Micronesia,  Polynesia,  Papua New Guinea,  The Heard and McDonald Islands,      The Philippines, Guam, Palau,  Cocos Island,  The Kingdom of Tonga,  Malaysia,   Brunei Darussalem,  India,   Pakistan,   Afghanistan, Bhutan,  Bangladesh,  Sri Lanka,  Chagos Islands,  The Republic of Maldives,  Turkmenistan,  Kyrgyzstan,  Uzbekistan, Nepal,  Indonesia,  Chile,  Argentina,  Uruguay,  Paraguay,  Brazil,  Peru,   Aruba,  Venezuela,  Bolivia, Suriname,  Guyana,  Aruba,  The Dominican Republic,  Guatemala,  Costa Rica,  Colombia,  Trinidad and Tobago,   Antigua and Barbuda, Barbados,  The Virgin Islands,  The Netherlands Antilles,  Panama,  Saint Vincent & Grenadines, Grenada, Ecuador,  Belize,   Nicaragua,   El Salvador,   Bermuda,  Cuba,  Jamaica,  Dominica,  Haiti,  Puerto Rico,  Cayman Islands,   Anguilla,    The Bahamas,   Honduras,   Mexico, and my home, The Great Free State of Idaho...  If your home is not listed here please e-mail us and tell us where you're from... Thank you for Visiting the Pre- Raphaelite Exhibition of Howard David Johnson.. Your  business, letters, & links are always welcome. info@howarddavidjohnson.com Enter a world of Beauty and Imagination... INDEX of GALLERIES ~ LINKS to LARGER ART   The Realistic and Fantastic Art Galleries of Contemporary American Illustrator Howard David Johnson Click on these Fun Educational Realistic Art Gallery link icons  for Two-fisted Tales of VALOR & Frontline Combat featuring Legendary Warriors of History, Knights and ladies of Arthurian Legend, Celtic, Nordic, Asian and Olympian gods & monsters, unicorns, dragons, fairies... and more! Angel Art Greek Mythology Celtic Mythology Norse Mythology Fantasy Art Dragon Art  Fairy Paintings Great Religions  Mythic Women World Mythology  Russian Mythology Oriental Mythology \ Classic Fairy Tales Mermaid Art  Legends of History   History Part II Pencil Portraits I Studio Photography Colored Pencils II Art Instruction Realistic Paintings Pre-Raphaelite Art Legendary Women Warrior Women The Art of War  Mythic Creatures About Realistic Art Science Fiction Art Beautiful Women Art NuVeau  Fantasy Pin ups Fairy Lore Flower Fairies Spartan Warriors  Lost Atlantis   Lady of Shallot Catholic Art  Art of the Bible BOOK of REVELATION Surrealist Art Lost World Adventures  Vampires and Werewolves Style & Technique  Biographical Paintings in Oils ELVES  Space Opera Adventures DINOSAURS All these pieces of art and the text are legally copyrighted and were registered with the U.S. Library of Congress Office of Copyright by the author, Howard David Johnson All rights reserved worldwide. Permission for many academic or non-commercial uses is freely and legally available by simply contacting the author via e-mail or visiting www.howarddavidjohnson.com/permission.htm

 

Bonus Section: Personal Opinion Essays on Realistic Art yesterday and today by the artist and more Art. 21st Century Pre-Raphaelite Art Exhibition; essays by the artist...

"Over the last 300 years, ideas about female beauty have drastically changed and this has caused many of the most wonderful paintings of the old masters to seem 'ugly' to youthful modern audiences. In the days of Peter Paul Rubens, being forty to sixty pounds over-weight was considered not only attractive, but was a status symbol. Beauty is in the eye of the beholder and tastes have clearly changed. These new visual art creations take their inspiration in part from the realistic paintings of the old masters just as The Lord of the Rings comes from The Ring of the Nibelung and European folklore, West Side Story came from Romeo and Juliet, which was in turn inspired by Antony and Cleopatra. Our shared cultural heritage, great works of art, literature, music and drama, cinema, folk tales and fairy tales are all drawn upon again and again by the creators of new works. These works in the public domain are both a catalyst and a wellspring for creativity and innovation. Even though all my Realistic Paintings are legally new works and protected under copyright law their inspiration sometimes comes in part from works in the public domain.
The Resurrection of Christ MMX	The public domain is a space where intellectual property protection ( copyright ) does not apply. When copyrights and patents expire, innovations and creative works fall into the public domain. They may then be used by anyone without permission and without the payment of a licensing fee. My sources have been transformed so much in the creation of these new works of art that they would not violate an existing copyright even if they were so protected. Publicly owned national parks are also considered by many to be public domain lands. Because of the recent extensions of the terms of both copyrights and patents, and the privatization of lands and other resources owned by the Federal Government, little is now entering the public domain. Look for new litigation and another time extension when Disney Corporation's Mickey Mouse copyright is due to expire in 2023. Where would Walt Disney be without the Brothers Grimm, Hans Christian Anderson, or Victor Hugo? Where would Aaron Copeland have been without American folk music? Thomas Nast's Santa Claus without traditional images of Father Christmas? Picasso without African art? These are artists who made names for themselves and even fortunes through Public Domain appropriation, one and all.
Beethoven did "variations on a theme" with the works of Mozart for the same reasons I have done mine with Waterhouse- to learn and give homage to the artist who most inspired me.  Since the public domain is a treasure trove of information and resources to be used by future generations, many advocates are concerned that its stagnation will make it more and more difficult for future generations to find creative inspiration.
Art tradition and etiquette suggest the most influential should be mentioned at exhibits; these original new pieces shown in this exhibit take their inspiration in part from the paintings of Waterhouse, Alma-Tadema, Moreau, Bouguereau, Leighton, Godward, Bloch, Ingres, Moore, Church, Rackham and others. They showcase some of my favorite models. None of my work so closely resembles the inspiration as much as Helen of Troy: a deliberately obvious tribute to my most beloved master- John William Waterhouse; and is after his "Miriamne leaving the judgement seat of Herod" The interior chamber with it's domed ceiling, King Herod on his throne, the eight man judiciary council of the San Hedrin, the tablets of the law and many other details are missing and in their places many new things are added. In Helen of Troy, new elements include Grace as the model, her jewelry and gown ornaments, the view of the sea going off into the distance in a deep perspective, the bas relief carvings, the ivy urn, the sphinx head, the flowers, the new floor, and the polished marble columns. When all is said and done, only the stairs, the lion's body and the basic outline of the gown have not been changed beyond all recognition. My Helen of Troy: the face that launched a thousand ships; shows instead her seeing the approaching sea lights of her husband Spartan King Menelaus' amphibious invasion fleet. (From Homer's The Iliad)
As a student of fine art, copying is a great way to learn and create fine art, but as a professional illustrator copyright laws make things very different...  My art is divided into two groups; personal work partially copying the old masters and professional illustration applying these lessons to create totally original works.  I start more often with a specific written request. This is the exact OPPOSITE approach to creating a picture from copying something that's there. Research comes first. In the case of the Greek Heroes, ( above right ) there were no accurate sources in the public domain to copy correct Greek armour and weapons in combat poses from.  Mostly I found images of effeminate men, wearing nothing but a robe over the shoulder and the wrong helmets. Finding history books at the library with the accurate helmets, shield designs, weapons, and armour was essential to get an accurate depiction of a Greek Hoplite.  All the library had were stiff museum poses of anything. I hit the research jackpot with some very simplistic flat line drawings of great authentic Greek shield designs. All the elements must be found, gathered and assembled to create the dramatic action scene the client wanted. Next comes the layout. This is where the mathematics and geometric design enter the creative process. My wife Virginia took a picture of me nearly twenty years ago on a carpentry project with the heroic Kirby-esque pose I was looking for mixed with the texture and feel of a Frazetta or Rockwell painting. Naturally, in these cases I go to great lengths to make sure that my work looks nothing like it's various inspirations and sources except in spirit. When asked why I usually work from photos I like to re-tell Norman Rockwell's story about having to paint a chicken: He set it up on a stump in a barn and goes to painting. The chicken moves it's head. He moves it back. The chicken jumps down. He puts it back. He goes to paint. now the chicken decides to make a break for it... he chases it down clucking and screaming and puts it back. Now it knows he's going to have it for dinner and it goes completely berserk. The next day, he came in and set the chicken back, snapped it's picture, and the photo held nice and still." ~ Howard David Johnson MMIV

Artist's Statement: There is a school of thought that seems to think that a caveman’s beating on a hollow log with a stick is automatically superior to Beethoven’s Ninth Symphony performed by the world’s finest symphony orchestra because less technology is involved.
	Did you know that many of the breathtaking works Pre-Raphaelites were doing in oils in the 1800’s were declared not to be Art? Not just not fine art but not even art at all! In London the Royal Academy had a very narrow view as to what qualified. No wonder Rossetti led a rebellion against them.  How about other Art Styles? Impressionism is a great example; It was not enough that these institutions rejected the work, but they felt the need to destroy the person’s reputation and livelihood. Of course collectors pay millions for these Impressionistic paintings now, and Curators, Historians and Professional Art Critics all hail them as sensitive works of fine art. When Monet submitted his work to the Salon in Paris, they said" A monkey has gotten a hold of a set of paints" and would paint huge "R"s for "rejected on the back canvas.  Rejecting him was not enough for them. They wanted to be sure he never sold another picture. They wanted to hurt him and his family for sick sadistic pleasure. He got really good at re-stretching his canvas with a double layer to cover up their hateful defacement of his original art.  They saw themselves as powerful as the deadly committee for public safety in the French Revolution as far as the Art World went and delighted in "sending artists to the guillotine", so to speak.
These hateful little petty tyrants were unable to keep his name out of the history books or to keep his paintings for selling for millions of dollars. This is the treatment someone who creates a new style gets, but developments in applied technology like manufactured tube paints as opposed to hand mixed paints were violently rejected by these types as well and they forcefully proclaimed anyone who used paints from a tube was not a "real artist". Well, tube paints are pretty well accepted now. So will photography and digital media in time. You probably  know how bad Photographers were treated, but now it is a respected Art Form. I Remember the hateful things they said about Pastels and Mary Cassat, and now Pastel Paintings are considered Fine Art and Mary Cassat’s works are regarded as masterpieces. Now that snobs have Digital Artists to look down on, Colored Pencils are starting to get some respect. Our day will come. ~ Howard David Johnson 2006

Thank you for visiting the Pre- Raphaelite and Symbolist Art Gallery of Howard David Johnson...

"Painting, in art, the action of laying colour on a surface, or the representation of objects by this means. Considered one of the fine arts"

~Encyclopaedia Britannica. 

"Painting. noun. 1.) The act or employment of laying on colors or paints. 2.) The art of forming figures or objects in colors on canvas or any other surface, or the art of representing to the eye by means of figures and colors any object; the work of an illustrator or painter. 3.) A picture; a likeness or resemblance in shape or colors. 4.) Colors laid on. 5.) Delineation that raises a vivid image in the mind; as in word painting.

~ Webster's Unabridged Dictionary of the English Language

Pastel, Acrylics, and Colored Pencils combined	Snobbism in the arts is nothing new. Some people will tell you that oils are the only valid medium for realistic paintings. That Colored Pencil, Digital, and other Realistic Painting and Drawing Media are not valid  for "real" art. Young artists, Don't let them bother you. Their forerunners used to condemn Pastels before they gained acceptance and called them "crayons" when Johann Alexander Thiele (1685-1752) invented them.  Mercilessly disrespectful  art critics of the time could not stop the Experimentalists no matter how viciously they attacked and derided them. "Crayon-painting" as it was called in England was practiced early on by persecuted pioneers in Switzerland and many other nations. What a debt we owe to these master artists who refused to knuckle under to the pressure of those short-sighted critics during those historic and experimental times. It took until 1870 with the founding of the "Societe` Des Pastellistes" in France that respect came  at last to these heroic & immortal visual artists.
In England the liberation of the Pastellists from slight regard and undeserved disrespect came with the first exhibition of "The Pastel Society" at the Grosvenor Gallery in 1880. Pastel Painters like Mary Cassat and others from America and other nations forever silenced  the snobs with their masterworks and gained recognition at long last for Thiele's invention as a valid art medium. I am persuaded that history will repeat itself.  Like Pastels, I believe these wonderful new colored pencils and even Digital Realistic Art Media will one day receive the recognition they deserve as powerful mediums of artistic expression just as pastel paintings did. What is your definition of art? Have you thought about it? Mine is: "anything that makes you feel or think."      Consider dancing... it can be a little skip in the step or rise to the level of the incomparable Russian Ballet. Did you know that just the materials alone for a single oil painting cost up to a thousand dollars these days? Even paying the artist less than minimum wage no one but the super rich can afford them anymore. Something's got to give. Realistic paintings in oil have been highly prized for centuries and the appeal and following of realistic art is undiminished to this day. Oil paintings featuring Abstract Art and Realistic Art are generally the most treasured form of all the visual art media and with good reason. But snobbish art critics  favoring abstract art have declared  that realistic paintings, or illustrations are not art for a century. With so many representationalist  paintings by so many immortal master artists hanging in the Louvre, the Hermitage, and the British Museum and others I think the disrespect for realistic illustrators that dominated the 20th century is academically ridiculous as well as vain and intolerant, insisting theirs is the only valid opinion. What is your definition of Art? I believe almost any form of human expression can be raised to the level of "high art" especially  visual art and Realistic illustration...
The detail reveals Realistic art and abstract art combined	By my own definition of art, which is: "anything that makes you feel or think" most abstract paintings are not "real art" to me personally, because abstract paintings usually neither make me feel or think,  usually focusing obsessively on technique and avoiding any coherent content. I usually draw a complete blank mentally and emotionally when I look at them. In 1979 the Houston Metropolitan Museum of Art displayed a triptych of 3 giant   paintings they paid fifty thousand dollars for-  three blank white canvasses entitled "untitled". Then there was "The incredible new artistic Genius" with an I.Q. of 62 ...Congo the chimpanzee with his gala New York art exhibition...an elaborate prank played on the Snobbish American Art critics about a generation ago by research scientists in the field of primatology. Imagine how upset they were when he created one of his "ingenious masterpieces" right before their eyes. ( My Source for this is the Time Life Science Library volume entitled "The Primates". )
Art education has been almost completely removed from American Schools as a result of generations of this kind of  fabulous nonsense contributing to America's cultural illiteracy crisis. Now, the works of Leonardo Da Vinci, Michaelangelo, and even certain Pre-Raphaelite artists are being removed from school libraries.  After generations of this, most American college graduates today cannot name even one living visual artist, abstract or realistic. There is no way that mandating more math, requiring more reading, or scheduling more science will replace what we have lost as a culture.     What is your definition of Art? ~HDJ ***** Note: Abstract Paintings by Congo the Chimpanzee outsold Warhol and Renoir by over 25,000 dollars in June 2005 at a London art auction. Born in 1954, Congo created more than 400 drawings and paintings between the ages of two and four. He died in 1964 of tuberculosis. There is no precedent for this kind of sale.
Thank you for visiting the Contemporary Pre- Raphaelite and Symbolist Art Gallery of H D Johnson...

Essay Two : The Rebirth of Realism

More thoughts on realistic art yesterday and today by the artist

Art History has entered a new era with the birth of Art Numérica, or digital art media in the 21st century. Artists never stop exploring with mediums. Artists have been developing techniques, experimenting with different tools since at least twenty- five thousand years ago, when the first artist picked up a charred stick and scratched a picture out on the wall of his cave. You'd think everything would have been tried by now, but it hasn't. Exploring new mediums this very day is just as exciting, just as full of freshness and newness as it ever was.

           Early abstract art  masters proved themselves as realistic artists before delving into realms of the intangible. They had to do this at that time to prove themselves because of the challenges they faced from the establishment for going against the status quo. In the latter part of the 20th century, realistic artists like HDJ were challenged to do abstract art to prove themselves as shown in the example above (Deirdre of the sorrows). Later realistic art training was abandoned in most schools and things like splattering paint in fits of rage  were deemed more than enough. By the end of the 20th century something as destructive and ridiculous as nailing a pack of cigarettes to a shoe was considered fine art but not realistic paintings. Fashions in art have often been as silly as fashions in ladies hats.  As the century drew to a close, many people had had enough. The realistic revolt was at hand. The rebirth of realism was fueled by the advent of the digital era. Now, for the first time in almost two centuries, an artist or illustrator could earn a decent living again with his realistic art. This is historic. Realistic art is not going to go away, especially now that photography has truly merged with traditional realistic visual art. Photography comes from the Greek words meaning "painting with light". Now with the advent of digital media the capability of realistic art has become almost limitless, truly, "painting with light". The merger of all the world's art forms to realize the potential of motion pictures has come now to still realistic art media. This website for example, combines music, prose, poetry, photography and traditional realistic art media to create an experience beyond merely looking at realistic paintings.

         The twenty- first century is already seeing a new renaissance in the arts because of the world wide web. There has never been anything like it. Abstract art, computer art, photographic art, and realistic art are continuing to be separate schools of art but are also blending to create exciting new horizons. Although Digital art does offer completely new horizons to the artist in the 21st century it does not mean the end of our time honored art traditions. Instead, it offers additional ways to keep these traditions and schools of thought  fresh and alive. ~ HDJ

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"All art is ultimately some form of imitation, even if you are an expressionist painter imitating an abstract vision in your own mind. These new visual art creations of mine take their inspiration in part from the realistic paintings of the old masters just as The Lord of the Rings comes from The Ring of the Nibelung and European folklore and West Side Story came from Romeo and Juliet, which was in turn inspired by Antony and Cleopatra. Much as Rubens copied Titian, I copy Waterhouse and so on. Over the last 300 years, ideas about female beauty have drastically changed and this has caused many of the most wonderful paintings of the old masters to seem 'ugly' to youthful modern audiences. For example, in the days of Peter Paul Rubens, being forty to sixty pounds over-weight was considered not only attractive, but was a status symbol. Beauty is in the eye of the beholder and tastes have clearly changed. I feel many classic themes need to be redone to preserve interest and appeal for future generations. This has happened many times before as artists like Aesop, The Brothers Grimm and Walt Disney have appropriated, modified, and re-defined elements of our culture to preserve it for future generations. The legality of such use today depends on whether or not the source is protected by copyright law. You can draw or paint Shakespeare's fairies for example and publish them without permission but not more modern intellectual properties like characters from Star Wars or Mickey Mouse who holds the oldest copyright dating from 1928.

Our shared cultural heritage, great works of art, literature, music and drama, cinema, folk tales and fairy tales are all drawn upon again and again by the creators of new works. These works in the public domain are both a catalyst and a wellspring for creativity and innovation. Even though all my Realistic Paintings are legally new works and protected under copyright law their inspiration sometimes comes in part from works in the public domain.

The public domain is a space where intellectual property protection ( copyright ) does not apply. When copyrights and patents expire, innovations and creative works fall into the public domain. They may then be used by anyone without permission and without the payment of a licensing fee. My sources have been transformed so much in the creation of these new works of art that they would not violate an existing copyright even if they were so protected. Publicly owned national parks are also considered by many to be public domain lands. Because of the recent extensions of the terms of both copyrights and patents, and the privatization of lands and other resources owned by the Federal Government, little is now entering the public domain. Look for new litigation and another time extension when Disney Corporation's Mickey Mouse copyright is due to expire in 2023. Where would Walt Disney be without the Brothers Grimm, Hans Christian Anderson, or Victor Hugo? Where would Aaron Copeland have been without American folk music? Thomas Nast's Santa Claus without traditional images of Father Christmas? Picasso without African art? These are artists who made names for themselves and even fortunes through Public Domain appropriation, one and all.

     Some people are actually outraged that there are some intellectual properties that corporations do not own. They feel appropriation is only appropriate if a corporation does it. Corporations created by public domain appropriation, now are the most powerful force on Earth trying to put a stop to new things entering the public domain forever through lawsuits. The public domain is a space where intellectual property protection ( copyright ) does not apply. It was set up by our founding fathers, who felt creativity needed to be rewarded on a personal level for a time, and when copyrights and patents expired, innovations and creative works would fall into the public domain.

      Since the public domain is a treasure trove of information and resources to be used by future generations, many advocates are concerned that its stagnation will make it more and more difficult for future generations to find creative inspiration. This is least likely to hurt the motion picture companies who produce new works "in house" granting themselves permission, but the music industry which brings in artists and new songs from the outside is being hit very hard already. If a new song release resembles an old one, now there is litigation. Visual Art Tradition and etiquette suggest the most influential pieced borrowed from the public domain should be mentioned at exhibits; these original new pieces Shown in my exhibits take their inspiration in part from the paintings of Waterhouse, Alma-Tadema, Moreau, Bouguereau, Leighton, Ingres, Moore, Parrish, Rackham and others. They showcase some of my favorite models. As a student of fine art, copying is a great way to learn and create fine art, but as a professional illustrator things are very different. Works done by artists out of personal motivation belong to the artist who created them, and they can sell licenses for divers forms of publication. The law is clear and simple regarding illustrations done for gainful employment. They are called "work-for-hire" under the law, and the rights to such works envisioned by the customer and specifically commissioned and paid for belong exclusively to the customer if it is a team project like a video game or motion picture and the artist must specifically ask permission to ever legally use their own work themselves. When the artist is the sole creator of the project as in book and magazine illustration for example, the artist retains the benefits of ownership unless they specifically sign them away. 

My art is divided into two distinct groups; personal work partially copying the old masters and professional illustration applying these lessons to create totally original works. I start more often with a specific written request. This is the exact OPPOSITE approach to creating a picture from copying something that's there.

Research comes first. In the case of my illustration of the Spartan Warriors, there were no accurate sources in the public domain to copy correct Greek armor and weapons in combat poses from.  Mostly I found images of effeminate men, wearing nothing but a robe over the shoulder and the wrong helmets. Finding history books at the library with the accurate helmets, shield designs, weapons, and armor was essential to get an accurate depiction of a Greek Hoplite.  All the library had were stiff museum poses of anything, but I hit the research jackpot with some very simplistic flat line drawings of great authentic Greek shield designs.

All the elements must be found, gathered and assembled to create the dramatic action scene the client wanted. Next comes the layout. This is where the mathematics and geometric design come into the creative process. My wife, Virginia took a picture of me nearly twenty years ago on a carpentry project with the heroic Jack Kirby like pose I was looking for mixed with the texture and feel of a Frank Frazetta or Norman Rockwell painting. Naturally, in these cases I go to great lengths to make sure that my work looks nothing whatsoever like it's various inspirations and sources except in flavor and spirit. Of course, the characteristic old master's painting feel to the background most of my illustrations have was requested, and the picture was to have the flavor of a Howard Pyle painting.

With regards to use of mechanical aids to create art: Did you know the old masters often traced?  Leonardo Da Vinci used "Camera Obscura" which is a lens and a mirror set at an angle with parchment over it to trace onto. Michaelangelo used a similar technique. The use of Photography as a mechanical aid to oil paintings and other forms of realistic art came right away. This is not surprising since artists had been tracing from Camera Obscura for thousands of years. Famous Myths; Leonardo Da Vinci (1452- 1519 ) is often credited with the invention of Camera Obscura because he used it for his masterworks during the Renaissance and mentioned it in his notebooks, but this is simply not true. Similarly, Americans are credited with the camera, but it is also not true. Unlike the camera, the inventor and time of invention of Camera Obscura are unknown. Perhaps a crude form of it was known to the ancient Greeks, but there is no evidence for this. The mathematical precision and perfect anatomy of Greek art combined with their passionate love of science and mathematics is enough for many scholars. The earliest description of Camera Obscura occurs in the great optical treatise of the Islamic scientist Al-Hazen who died at Cairo, Egypt in A.D. 1098. His Opticae Thesaurus ( Book of optics ) was rendered into Latin sometime during the 12th or 13th century. Al- Hazen honestly declares that he himself did not discover it, so we know it had to have come earlier. Think that makes it too quick and easy? You'll find once you've finally got that outline done right you're a long, long, way from being finished in any medium... if these men who set the standard for realistic excellence used them, why shouldn't those who come after them be permitted? Simple, because this is one of the most carefully guarded "secrets of the old masters" and most people don't know very much about art history... 

When asked why I usually work from photos I like to re-tell Norman Rockwell's story about having to paint a chicken: He set it up on a stump in a barn and goes to painting. The chicken moves it's head. He moves it back. The chicken jumps down. He puts it back. He goes to paint. now the chicken decides to make a break for it... he chases it down clucking and screaming and puts it back. Now it knows he's going to have it for dinner and it goes completely berserk. The next day, he came in and set the chicken back, snapped it's picture,

and the photo held nice and still."

     I have built up an enormous library of original 35 mm source photos for use in my realistic art. For decades I have been seeking out the most beautiful models and sometimes even their boyfriends and relatives, bringing them in for sessions into my photography studio. The law with regards to copy rights on analog photographs was simple - if you owned the negative you owned the rights. This new instant copyright without filing law is very nice for photographers and artists working with their own photos, but not so good for free-hand drawings from the imagination and other non-photographic based forms of drawing and painting like cartoons.

  This is the main reason I use my own photographs.

   Using a strategy employed by J. W. Waterhouse, my wistful and graceful female models cannot be underestimated in their contribution to the stunning beauty and the potential for lasting appeal of my work. I am always make sure to both overpay them for their time and also the rights. I always get a written contract with the exception of my dearest friends and closest family who are always making cameo appearances. The models get amenities and services including portraits, portfolio photo sessions, photographic reprints and enlargements, leather presentation cases, webmaster services, original art, and reprints of their appearances in my drawings and paintings as well as above scale cash payments at the time of the shoot.

   With regards to using copyrighted material as a reference-  When you have to paint a wombat you can't fake it- you need a picture! The law understands this and automatically grants provision - within reasonable limits; when using copyrighted sources the source image must be so transformed in overall appearance in the translation as not to be what the law calls "confusingly similar"...

   If it's newer than 1928 you can bet it's probably copyrighted - they had to renew exactly 26 years later in those days or it would pass into the public domain, so it might not be copyrighted if it wasn't a big moneymaker. Always be sure to check in these cases. If it's newer than 1999 under the millennial copyright act the law says it is automatically copyrighted without even filing. However, this new law is very tricky in it's wording because you must have already have filed with the copyright office in advance if you ever need to take legal action. They say it is copyrighted, but you cannot sue if it is not registered with the United States Library of Congress Office of Copyright. Because of this "instant copyright without filing" clause, there is a serious danger of artists being made legally helpless and left open to being cheated out of their work.

 From an artist's standpoint, this is a huge improvement over the original 14 year copyright term. When properly interpreted and acted upon, by filing works with the United States Library of Congress Office of Copyright, these laws are GREAT for contemporary artists and their estates, who will hold rights for seventy years after the artist's death."

~ Howard David Johnson  M M VI

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The Constitutional Provision Respecting Copyright

The Congress shall have power... To promote the progress of Science and the useful arts, by securing for limited times to Authors and Inventors the exclusive right to their respective Writings and Discoveries.

United States Constitution Article I Section 8

( This essay is not meant to take the place of expert legal council, but to introduce people to the basic concepts. )

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